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Mass moca north adams events9/25/2023 Proud Charitable Trust and The Milton and Dorothy Sarnoff Raymond Foundation in memory of Sandy and Lynn Laitman. DeRosa The Feigenbaum Foundation Timur Galen and Linda Genereux MountainOne National Endowment for the Arts the Ruth E. Additional support is provided by Samantha and Daniel Becker John B. Major support is generously provided by The Willow Tree Fund. Wendy Red Star’s exhibition continues a 20-year tradition of the program to focus on contemporary social issues and expand notions of art and art materials.Ĭore education funding is provided by the W.L.S. Kidspace is a child-centered art gallery and hands-on studio (ArtBar) presenting exhibitions and educational experiences in collaboration with leading artists. You can download a PDF of the exhibition Educator Guide here. You can download a PDF of the exhibition guide here. Red Star holds a BFA from Montana State University, Bozeman, and an MFA in sculpture from University of California, Los Angeles. In 2019 Red Star had her first career survey exhibition at the Newark Museum in Newark, New Jersey. In 2017, Red Star was awarded the Louis Comfort Tiffany Award and in 2018 she received a Smithsonian Artist Research Fellowship. She served as a visiting lecturer at institutions including Yale University, the Figge Art Museum, the Banff Centre, National Gallery of Victoria in Melbourne, Dartmouth College, CalArts, Flagler College, and I.D.E.A. Louis Art Museum, and the Minneapolis Institute of Art, among others. Red Star has exhibited in the United States and abroad at venues including the Metropolitan Museum of Art, Fondation Cartier pour l’ Art Contemporain, Domaine de Kerguéhennec, Portland Art Museum, Hood Art Museum, St. Intergenerational collaborative work is integral to her practice, along with creating a wider forum for the expression of Native women’s voices in contemporary art. An avid researcher of archives and historical narratives, Red Star seeks to incorporate and recast her research, offering new and unexpected perspectives in work that is at once inquisitive, witty and unsettling. Raised on the Apsáalooke (Crow) reservation in Montana, Red Star’s work is informed both by her heritage and her engagement with many forms of creative expression, including photography, sculpture, video, fiber arts, and performance. Red Star’s drawing activity builds awareness of her Native language and demonstrates the importance of clear and accurate communication across cultures (and perhaps its impossibility).ĭownload the Wendy Red Star Family Portrait activity here.Īrtist Wendy Red Star works across disciplines to explore the intersections of Native American ideologies and colonization, both historically and in contemporary society. At the ArtBar, visitors can listen to the artist’s father speak Crow words for animals and then interpret them as part of a community drawing project. Since the Crow language is an oral tradition, removal of these children from their culture also contributed to the demise of the language. government attempted to systematically eradicate the Crow language, requiring Crow children to learn and speak only English at the boarding schools they were required to attend. The Apsáalooke language - spoken today by just 3-4,000 tribal members primarily living in Montana - is at risk of vanishing. The exhibition will also feature plush stuffed toy animals based on drawings and notes by Peelatchiwaaxpáash/Chief Medicine Crow, together self-portraits of the artist, as she places herself in artificial, colorful dioramas while wearing traditional Apsáalooke clothing. New work created specifically for MASS MoCA turns these images into large photographic blow-ups and lifesize cutout figures, with the goal to bring the portrait sitters to life, and reclaim Red Star’s ancestors. Using red pen to add text and definition to the archival images, she draws attention to the ways in which the original portraits deliberately remove the leaders from their contexts. As Red Star notes: “It is critical to preserve and pass along culture, heritage, and shared values while also providing future generations with a sense of identity, solidarity, and empowerment.”Īt the center of Children of the Large-Beaked Bird (the English translation of “ Apsáalooke”) are Red Star’s annotated portraits of the historic 1880 Crow Peace Delegation that brought leaders to meet with U.S. The Children of the Large-Beaked Bird exhibition provides an opportunity for adults and children to look at history and representation with fresh eyes. An avid researcher, Red Star re-examines cultural artifacts and primary source historic imagery, and uses them as the foundation for her beautifully annotated photographs and installations. Multi-media artist Wendy Red Star, a member of the Apsáalooke (Crow) tribe, offers accounts of American history that rectify the frequently flawed narratives about Native people.
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